![]() Kelson said the display of “large technology objects” would elevate contemporary military history over earlier conflicts, despite 99% of Australians who died in war having served in the first or second world wars. “This is the museum equivalent … of hydroxychloroquine,” he said, in reference to the much hyped anti-malarial drug that is yet to show any clinical benefit to people with Covid-19.īut AWM director Matt Anderson defended the claim, telling the committee that the AWM had been “told by veterans and their clinicians” that signing the Tarin Kowt wall, for Australians who served in Afghanistan, has “positive mental health benefits”. ![]() He labelled the argument “meretricious” because it “is superficially attractive but it has no substance in any clinical study or academic test”. Stanley, now a professor at the University of New South Wales in Canberra, said there was “no demonstrable therapeutic benefit in traumatised veterans visiting a display of their former weapons vehicles or aircraft”. ![]() Literature reviews on veterans’ mental illness contained “no reference to memorial-based therapy”, she said, leading her to conclude that the concept of a therapeutic milieu “derives from wishful thinking”, anecdotes and was a “leap of faith” not based on evidence. The plan has been widely criticised for glorifying war and overlooking the practical needs of veterans, with even the RSL calling for the spending to be matched with greater support services.īeavis told the committee that the most comprehensive research on Australian veterans had found half were suffering a mental illness, one in three experienced anxiety, nearly 20% had post-traumatic stress disorder, 12% had depression and one in five had suicidal thoughts. At that, On Fire '99 is nothing less than a rousing soundtrack to punk rock'n'roll's modus operandi: pounding bottles of 50, breaking something inanimate and just living for the moment.In November 2018 Scott Morrison announced the expansion to almost double the size of the memorial’s exhibition space in Campbell, ACT, after lobbying from Nelson. Naturally, some of the tunes are better suited to the Battle Snakes' style than others and one could spend hours debating which deserving bands were omitted (Bitchin' Camaros and Red Hot Lovers come to mind), but the trio manage to cover an impressive swath of Great White greats with infectious energy, trashy virility and sincerity. From opener "Let Us Sing" (Tricky Woo) through a version of Les Tabernacles' "Get Up," the Spitfires' "High School" and more, these guys get the crash'n'slash of dirty rock and dirtier denim. That sentiment is readily echoed on latest effort On Fire '99, an album that celebrates their beloved genre via some of Canada's unsung and long-deceased forefathers. They're one of few bands today that can relate to the barbaric attack, soul-inspired fire and in-your-face attitude of this wonderful sub-genre. Still, it's easily one of the most aggressive, inspiring and fearless forms of music going, as Vancouver, BC's Battle Snakes clearly understand. It's not heavy enough for metal dudes, but it's a bit too rockin' for punkers to wrap their brains around. ![]() Punk rock'n'roll has always been un-cool to the vast majority. ![]()
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